The juxtaposition of Los Angeles street sign vernacular with a minimal high-end aesthetic was the inspiration for the white-on-white exhibition title wall. Glossy, white, three-dimensional letters were mounted on a matte white, angled wedge.
The opening night invitation and envelope were letterpressed on 100lb crane stock and printed with florescent pink ink. An artist interview about Thousand, a project that compiled 1,000 of his Polaroid photographs, was designed to fold-down to a Polaroid sized brochure. It was digitally printed and available on either white or pink newsprint.